Upcoming Exhibitions—winter/spring 2019

November 20, 2018

Black White Weave 1, recto and verso

Black White Weave 1 (recto and verso)
13 x 13 inches (33 x 33 cms), Strathmore and Fabriano papers, 2018

NY Abstract Now at Mathilde Hatzenberger Gallery, Brussels, Belgium, 10 January – 9 February

Falling into Place at Odetta, Brooklyn, New York, 1 – 24 February

Drawing Now at Institute of Contemporary Art at MECA, Portland, Maine, 17 January – 8 March

Solo Exhibition at Abstract Project, Paris, France, 20–30 March

CENTURY. idee bauhaus at dr. julius | ap, Berlin, Germany, 28 April – 30 June

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Dessin en volume pour Agathe

April 10, 2018

photo: Daniel G. Hill

LOOK&LISTEN à la Voute
Saint-Chamas, France
5 – 31 mai, 2018
Vernissage le 5 Mai à La voûte Revellotti, rue de la Fraternité, à Saint-Chamas, à 18h.
Ouverture mercredi et samedi de 10h à 18h
06 80 45 03 32

Facebook Event

Dessin en volume pour Agathe
Avec Karine Debouzie, Daniel G. Hill, Izabela Kowalczyk, Lydia Rump.

Entre la peinture et la sculpture, dessin en volume, c’est une rencontre de différents languages artistiques qui mettent en valeur l’esthétique de la ligne hors du papier, dans l’espace, in situ.

Soirée de vernissage sera accompagné par un concert de ‘Tea for Three’. Ce trio vous fear voyager dans le monde du jazz, s’inspirant du swing d’Ella Fitzgerald et Louis Armstrong, de la délicatesse de Chet Baker, de la subtilité de Bill Evans et de la modernité de Brad Mehldau.
Chant – Julie Meola
Piano – Nina Gat
Contrebasse – Nicolas Fleury

Ce projet s’inscrit dans le parcours du Printemps de l’Art Contemporain.

Grounds for Optimism @ Tremenheere Sculpture Gardens

January 3, 2018

Black Widow (detail)
polyester cord and stainless steel,
72×60 inches, 2018

Grounds for Optimism
curated by Ivo Ringe
11–28 February, 2018
Tremenheere Sculpture Gardens
Near Gulval, Penzance, Cornwall, UK

Participating artists:
Tim ALLEN (UK), Steven BARIS (US), Alain BILTEREYST (BE),  Joaquim CHANCHO (ES), Mark FRANCIS (UK), Alison HALL (US), Daniel G. HILL (US), Riki MIJLING (NL), Jan van der PLOEG (NL), Ivo RINGE (DE),  Rolf ROSE (DE), Regine SCHUMANN (DE), Don VOISINE (US)

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Clash of the Titans @ 108AG Projects, Mexico City

January 2, 2018

Surface & Substance @ The Painting Center

December 23, 2017

Surface & Substance @ The Painting Center
547 West 27th Street, Suite 500, N.Y., N.Y. 10001
Curated by Hester Simpson

January 2–27, 2018

Reception: Thursday, Jan. 11, 6–8 pm

Paul Behnke, Elisa D’Arrigo, Shane Drinkwater, Daniel G. Hill, Elizabeth Knowles, Mario Naves, Carol Salmanson, Mary Schiliro, Jane Schiowitz. Hester Simpson

Objectify @ Trestle Gallery

September 10, 2017

Robert Burnier, Sonĝo Pavimo (di Giovanni / Lorenzetti), 2017, Acrylic on aluminum, 16 x 10 x 7 in.

Curated by Daniel G. Hill and Mary Schiliro

Trestle Gallery
850 3rd Avenue (btw 30th and 31st Streets), Suite 411
Brooklyn, NY 11232
22 September – 4 November, 2017

Gallery Hours: Monday, Wednesday, Friday, Saturday, 1:30-6:30 pm

Reception: Friday, 22 September, 7–9 pm

Conversation with participating artists: Tuesday, 10 October, 7–8 pm


Objectify, a group exhibition of international artists, presents work that defies categorization and moves in a space between painting and sculpture, image and object. Objects engage the corners of the gallery, unroll onto the floor and slide under the walls. Color palettes range from the austerely achromatic to the playful and intensely polychromed. Painted works are shaped, creased, folded, and formed.

Much of the work is influenced by painting yet emphasizes its objecthood by using methods of presentation that reduce its spatial and pictorial implications. Some works can be viewed as sculpture that has moved to the wall or as painting that has moved to the floor, though, at times, these boundaries have been transgressed more than once before settling into place.

Many of the artists share an interest in process and materiality. Others are involved in the disembodiment and deconstruction of painting. The physicalization of ideas in real space subverts held assumptions and habits of viewing. One’s understanding of the work as an object in the world and the attendant categories is thrown into question.

Richard van der Aa (NZ, FR), Robert Burnier (US), Iemke van Dijk (NL), Daniel G. Hill (US), Emma Langridge (AU), Laura Nillni (AR, FR), Jim Osman (US), Mary Schiliro (US), Bogumila Strojna (PL, FR), Guido Winkler (NL), Patricia Zarate (US)

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Raakvlakken—Beelden in Leiden

May 12, 2017

Raakvlakken—Beelden in Leiden
May 18 – August 6, 2017
Various locations in downtown Leiden, NL


Raakvlakken is a multi-venue sculpture exhibition sponsored by Beelden in Leiden (BIL). It is part of a nation-wide celebration—Mondrian to Dutch Design—of the 100th anniversary of the founding of the De Stijl movement and the publication of the magazine of the same name by Theo van Doesburg who was living in Leiden at the time. Along with 16 other international artists, I have been invited by curators Iemke van Dijk and Guido Winkler of IS Projects to exhibit in the Achmea Gebouw.
reception: Thursday, May 18 beginning at 14h45 in the Achmea Gebouw, Dellaertweg 1

Exhibiting Artists:
Iris Bouwmeester-nl, Gerard Caris-nl, Henk Delabie-be, Edgar Diehl-de, Daniel G. Hill-us, Peter Holm-dk, Krijn de Koning-nl, Andrew Leslie-aus, Riki Mijling-nl, Brigitte Parusel-uk, Paul Raguenes-fr, Richard Roth-us, Rubins J. Spaans-nl, Mary Schiliro-us, Tilman-it, Jan Maarten Voskuil-nl, Thomas Wildner-nl

Other locations of the exhibition are Hooglandse Kerkgracht and the Leiden University Medical Center (LUMC). For More information…

Spider Painting

Spider Painting, 2016 (left) with a work by Richard Roth

Diagonal Slice II

Diagonal Slice II, 2014–2015 (right) with a work by Edgar Diehl

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Intercontinental Line @ Galerie Abstract Project

May 10, 2017

© Daniel G. HillAn international exhibition of artists from Europe and North America taking place at Galerie Abstract Project in Paris, 11–20 May, 2017.

5, rue des Immeubles Industriels, 75011, Paris (metro Nation)
vernissage: mercredi 10 mai de 18h à 21h
ourvert du mercredi au samedi de 14h à 19h
finissage: samedi 20 mai de 16h à 19h

Exhibiting Artists:
Delnau (FR), Emily Berger (US), Yifat Gat (IL), Daniel G. Hill (US), Creighton Michael (US),  Munira Naqui (US), Shawn Stipling (UK), Bogumila Strojna (FR/PL), Anna Szprynger (PL), Tenesh Webber (CA)

curated by B. Strojna and D. Hill

At a time when exchanges are frequent and distances and differences are abolished or, on the contrary, tend to be exacerbated, I wanted to organize an exhibition bringing together artists from all over the world.

This exhibition is the first in a series in which European artists will exhibit with artists from different continents. Each time, as co-curator of the exhibition, I will work with an artist of the corresponding continent. The first edition of Intercontinental Line presents the work of artists from Europe and North America and has been developed and realized in collaboration with New York artist Daniel G. Hill.

As a creative support and graphic element present in each field of plastic creation, line has been chosen to serve as a common denominator. Though initially associated with drawing, its use is currently available in all fields of the plastic arts—painting, sculpture, drawing, photography, installation—crossing all currents of abstract art. Our choice of works tends to show that.

The purpose of this exhibition is to question the use of line—in its differences and similarities—according to the continents, with their cultural, geopolitical, and historical specificities. Because we ask this question, the subtitle of the exhibition is reflection in progress. The answer may or may not be given and only at the end of the series of Intercontinental Line exhibitions.

B. Strojna
English translation by D. Hill

Bridging the Distance

Daniel G. Hill, Bridging the Distance
polyester cord, PVC rod, and stainless steel (cordon de polyester, tige de PVC et acier inoxydable)
104 x 250 x 60 cm

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Carrément 4 Preview in Art Absolument

March 17, 2017

Art Absolument, mars-avril 2017

by Delphine Alexandre
Published in Art Absolument
March 17, 2017

Numéro 76 Mars/Avril 2017

Read in French and English.

I’m very pleased to have my work featured alongside that of Milija Belic, Atsushi Kobayashi, and Bogumila Strojna in this article in Art Absolument.

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CARRÉMENT 4 @ Espace Christiane Peugeot

March 14, 2017


Spider Painting

Spider Painting, stainless steel wire, 36 x 30 x 3 inches (91.5 x 76 x 7.5 cm.), 2016

I’ve been invited to participate in CARRÉMENT 4, an annual collective exhibition of non-objective art at Espace Christiane Peugeot, 62 avenue de la Grande Armée, 75017 Paris
18 April – 1 May, 2017

vernissage: 20 avril de 18h à 21h

Exhibiting artists:
David Apikian,  Chantal Atelin,  Françoise Aubry, Milija Belic, Roger Bensasson, Joël Besse, Charles Bezie, Jean-Luc Bruckert, John Carter, Michel Clolus, Raphaël Durans, Olivier Fouchard, Antonio Garcia Leon, Daniel G. Hill, Ingrid Hornef, Atsushi Kobayashi, Rupert Mair, Elissa Marchal, Marilyn Chapin Massey, Roland Orepuk, Loredana Rancatore, Claudine Sallenave, Jocelyne Santos, Jun Sato, Szasz Janos Saxon, Werner Stemans, Bogumila Strojna, Daniel Tostivint, Jacques Weyer


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The Drawing Collective in Paris and Sydney

March 14, 2017



As a member of the Drawing Collective, I’ll be participating in exhibitions at Galerie Olivier Nouvellet, Paris, March 24–26, 2017 and at Articulate Upstairs, Leichhardt, NSW, Australia; April 11 – May 1.
The Drawing Collective is an international community of artists who draw as part of their individual practice and are concerned with establishing connections among artists across borders and cultural divides.

Paris catalogue: view online

Sydney catalogue: view online

Exhibiting artists:
Richard van der Aa (guest, Paris), Wahida Azhari, Christine Boiry, Anne Brochot, Marilyn Chapin Massey, LIz Davidson, Clint Fulkerson, André Geertse, Ellen Golden, Barbara Halnan, Daniel G. Hill, Erdem Kucuk-Koroglu, Emma Langridge, Danielle Lescot, Munira Naqui, Michael Perlbach, Tineke Porck, Margaret Roberts, Diane Scott, Jamel Sghaier, Gary Shaw (guest, Sydney), Sam Still, Bogumila Strojna, Trương Thành, Wilma Vissers


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RCM Galerie @ Salon Zürcher, NY

February 27, 2017

#9601, 1996

#9601, 1996, 48 x 36 in., acrylic, on canvas

I’ll be exhibiting with RCM Galerie from Paris at Salon Zürcher, NY, February 27 – March 5.

Participating galleries:
AMP Gallery, Provincetown
Demon’s Mouth, Oslo
Mathilde Hatzenberger, Bruxelles
Inna Contemporary Art Space, Hangzhou, China
RCM Gallery, Paris
Galerie Vincenz Sala, Paris-Berlin

Exhibition review in the Murray Ledger & Times

February 8, 2017


Artist presents work to community, with an original made for the occasion
Posted: Wednesday, February 8, 2017 7:00 am
By DEBBIE BATTEIGER • dbatteiger@murrayledger.com

New York artist Daniel G. Hill has brought many interesting pieces to show in his “Connections & Correspondences” exhibit, currently on display at the Mary Ed Mecoy Hall Gallery at Murray State University.
One piece, called “Here We Go,” is fascinating for a number of reasons, but one stands out. He made the piece especially to show at MSU.

Download: PDF

Solo Exhibition @ Murray State University

January 20, 2017

Here We Go

Here We Go, 2016

Connections and Correspondences
Mary Ed Mecoy Hall Gallery
Murray State University
Murray, Kentucky
January 20 – March 2, 2017

Richard van der Aa—”present tense” at Le Pavé D’Orsay

January 8, 2017

The work of Richard van der Aa is on exhibit at Le Pavé D’Orsay in Paris through January 17, 2017. Accompanying the exhibition is a catalogue of van der Aa’s work for which I wrote an essay You can see the catalogue online or view/download a pdf of the essay.
The essay has been cited by Amarie Bergman in Whitehot Magazine (Feb. 2017) and in a forthcoming article by Gwenaël Kerlidou.


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Lightly Structured @ Sculpture Space NYC Projects, 2016

November 23, 2016

Sculpture Space NYC

Sculpture Space NYC

Lightly Structured, curated by Patricia Zarate, at Sculpture Space NYC Projects, 47-21 35th Street, Long Island City, NY 11101
2 December, 2016 – 28 January, 2017
Opening Reception: Friday, 2 December, 6 – 9 pm
Hours: Saturdays from Noon to 6PM and by Appointment

Daniel G. Hill, Harry E. Leigh, Doreen McCarthy and Liz Sweibel

Press release



Daniel G. Hill


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4 November, 2016 | News Digest

November 5, 2016

Email archive

Closing Soon

acrylic, on canvas, 75 x 36 in., 1995

Saturday, November 5 is the final day of Chromatic Space at the Shirley Fiterman Art Center, 81 Barclay Street, New York, NY. Curated by Jonathan Lipincott, the exhibition includes work by 64 member of American Abstract Artists and eight invited guests.


The Pattern Reveals Itself @ Claudia Weil Galerie

November 4, 2016

Diagonal Slice II

Diagonal Slice II, stainless steel wire, 32 x 44 x 6 cm (12.5 x 17.5 x 2.5 inches), 2014–2015

Claudia Weil Galerie
Friedberg-Rinnenthal, Deutschland
20. November bis 29. Januar 2017

Internationale Gruppenausstellung mit 30 Künstlern aus acht Ländern
International group exposition with 30 artists from eight countries

kuratiert von Ivo Ringe

Belgien: Stefan Annerel, Alain Biltereyst
England: Tim Allen, Andrew Bick, Luke Frost, Karen Foss, Alf Löhr, Terry Pope, David Rhodes, Shawn Stipling
Irland: Mark Francis
Niederlande: Riki Mijling, Dolf Verlinden, Cecilia Vissers
Spanien: Joaquim Chancho
USA: Joe Barnes, Max Cole, Heather Sheehan, Daniel G. Hill, Rebecca Smith, Don Voisine
Schweiz: Beat Zoderer
Deutschland: Britta Bogers, Edgar Diehl, Stefan Eberstadt, Rupert Eder, Michael Jäger, Ivo Ringe, Thomas Weil, Miro Zarah

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Werner Drewes and 80 years of the American Abstract Artists

November 4, 2016


Untitled, archival inkjet print
paper size 12-3/4 x 9-3/4 in., image size 10-3/8 x 7-3/4 in.
2012, edition of 75

Werner Drewes and 80 years of the American Abstract Artists
A limited edition print portfolio honoring Werner Drewes at Washington Printmakers Gallery, 1641 Wisconsin Avenue NW, Washington, DC 20007
2–26 November, 2016

Werner Drewes, Emily Berger, James Gross, Daniel G. Hill, Creighton Michael, Kim Uchiyama, Vera Vasek and Thornton Willis

Opening reception: Saturday, 5 November, 2–5pm

Panel Discussion: Thursday, 17 November, 6:00-8:00 pm
The Fairchild Gallery at Lauinger Library, Georgetown University, 37th & N Streets, N.W.
RSVP to: libraryassociates@georgetown.edu (or) 202-687-7446

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10 Ways @ RCM Galerie, Paris

September 13, 2016

10 Ways
curated by Lorenza Sannai
October 20 – November 21, 2016
RCM Galerie
32 rue de Lille – 75007, Paris, France


#9802, acrylic, on canvas, 15 x 15 inches (38 x 38 cm), 1998

Chromatic Space at Shirley Fiterman Art Center

September 13, 2016

#9504, acrylic on canvas, 75 x 36 inches, 1995
#9504, acrylic, on canvas
75 x 36 in., 1995

#9504 will be included in Chromatic Space
curated by Jonathan Lippincott at the Shirley Fiterman Art Center
22 September – 5 November, 2016
81 Barclay Street, New York, NY 10007
Gallery hours: Tuesday – Saturday, 12–6 pm
brochure (pdf)

The Black & White Project @ Gallery Transmitter

August 12, 2016

Skirt II is on exhibit at Transmitter.nyc as part of The Black & White Project, NYC.

August 12 – September 11, 2016
Organised by Look&Listen, Curated by Yifat Gat.

** Special online sale for the duration of the exhibit **

Skirt II

Skirt II, galvanized steel wire and music wire, 24 x 9 x 7 inches, 2014

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10 Ways at dr. julius | ap in Berlin

April 23, 2016

Black White Weave—St. John Chrysostom 27.5 x 27.5 x 3.5 cm, dyed and natural cotton over wood, 2015

Black White Weave—St. John Chrysostom
27.5 x 27.5 x 3.5 cm, dyed and natural cotton over wood, 2015

10 Ways, curated by Lorenza Sannai, travels to dr. julius | ap in Berlin, Germany, 28 April – 4 June, 2016

Four Person Exhibition at Galerie Victor Sfez in Paris

February 26, 2016


Galerie Victor Sfez, 19 March – 23 April, 2016

I’m very pleased to announce that I’ll be exhibiting with three other wonderful artists and good friends at Galerie Victor Sfez in Paris, 19 March – 23 April, 2016. The exhibition has been organized by artist Laura Nillni.

More information and installation photographs on the galerie’s web site.
For a translation to english of the curator’s statement, see this post on Structure and Imagery, by Paul Behnke.


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