CV

Download the cv as a printable PDF: US Letter or A4. (updated Jan. 17, 2017)


Solo Exhibitions

2017
Connections and Correspondences
; Mary Ed Mecoy Hall Gallery, Murray State University, Murray, Kentucky; January 20 – March 2

2010
From Paint to Print; The Painting Center, New York, N.Y.
Print; Melville House, Brooklyn, N.Y. (catalog)

2009
Digital Painting; Koussevitzky Gallery, Berkshire Community College, Pittsfield, Mass.

2004
Into the Light; Square One Gallery, New York, N.Y.

1997
Paintings and Collages; Wilmer Jennings Gallery at Kenkeleba, New York, N.Y.

1988
Daniel G. Hill; Koussevitzky Gallery, Berkshire Community College, Pittsfield, Mass.


Selected Group Exhibitions

2017
Objectify; Trestle Gallery, New York, N.Y.; September 22 – November 3; curated by Mary Schiliro & Daniel G. Hill
100 years after De Stijl; The Achmea Gebouw, Leiden, NL; May 18 – August 6; curated by IS Projects—Iemke van Dijk & Guido Winkler
Intercontinental Line; Abstract Project, Paris, France; May 10–20; curated by Bogumila Strojna & Daniel G. Hill
CARREMENT 4; Espace Christiane Peugeot, Paris, France; April 18 – May 1
The Drawing Collective, Sydney 2017; Articulate Project Space, Leichhardt, NSW, Australia; April 11 – May 1
The Drawing Collective, Paris 2017; Galerie Olivier Nouvellet, Paris, France; March 21–25
Salon Zürcher, NY; exhibiting with RCM Galerie, Paris; February 27 – March 5
Personal Identity Matter—International Group Exhibition; Gallery MC, New York, N.Y.; February 1–7

2016
Lightly Structured; Sculpture Space New York City; curated by Patricia Zarate; December 2, 2016 – January 21, 2017
The Pattern Reveals Itself; Claudia Weil Galerie; Friedberg-Rinnenthal, Germany, curated by Ivo Ringe
10 Ways
; RCM Galerie, Paris, France; curated by Lorenza Sannai
Exhibiting artists: Daniel G. Hill, Don Voisine, John Goodyear, Joanne Mattera, James Juszczyk, Lynne Harlow, Lorenza Sannai, Power Boothe, Stephen Westfall, Susan Smith
Chromatic Space
; Shirley Fiterman Art Center, New York, NY; curated by Jonathan Lippincott
The Black and White Project
; Transmitter Gallery, Brooklyn, NY; curated by Yifat Gat
10 Ways; dr. julius | ap; Berlin, Germany; curated by Lorenza Sannai
Four person exhibition (title pending); Galerie Victor Sfez; Paris, France; curated by Laura Nillni; March 17 – May 5
Passing Through; Schema Projects, Brooklyn, N.Y.; curated by Jeanne Heifetz; March 4 – April 3
Visible Histories; Brian Morris Gallery and the Abrons Arts Center, New York, N.Y.; curated by Max Weintraub; January 30 – March 6
The Onward of Art: American Abstract Artists 80th Anniversary Exhibition; 1285 Avenue of the Americas Gallery, N.Y., N.Y.; curated by Karen Wilkin; January 18 – March 25

2015
Endless, Entire; FiveMyles, Brooklyn, N.Y.; curated by Rachel Nackman
10 Ways; Clement & Schneider; Bonn, Germany; curated by Lorenza Sannai
Summer Show Rules; Gallery Onetwentyeight; New York, N.Y.; curated by Kazuko Miyamoto
10 Ways; Derbylius Libreria Galleria D’Arte, Milan, Italy; curated by Lorenza Sannai
All | Together | Different; Manny Cantor Center, New York, N.Y.; curated by Linda Griggs
Sideshow Nation III: Circle the Wagons!; Sideshow Gallery, Brooklyn, N.Y.

2014
21 & Counting; The Painting Center, New York, NY
International Black and White; Gallery 705, Stoudsburg, PA, curated by Edward Evans
To Leo: a tribute from the American Abstract Artists; Sideshow Gallery, Brooklyn, NY
Sensory Impact; Morgan Stanley Global Headquarters, Purchase, NY, curated by Sarah Campbell
Primarily Black and White; Southwest Minnesota State University Art Museum, curated by Edward Evans

2013
Come Together: Surviving Sandy, Year 1; Industry City, Brooklyn, NY; curated by Phong Bui; sponsored by the Dedalus Foundation, the Brooklyn Rail, and the Jamestown Charitable Foundation
American Abstract Artists • A Selection; Kent State University School of Art Gallery, Kent, OH, curated by Scott Olson and Gianna Commito Exhibiting artists: Susan Bonfils, Marvin Brown, Gail Gregg, Daniel G. Hill, Gilbert Hsiao, James Jusczcyk, Cecily Kahn, Marthe Keller, Irene Lawrence, David Mackenzie, Manfred Mohr, Judith Murray, Raquel Rabinovich, David Reed, Edward Shalala, Vera Vasek, Merrill Wagner, Stephen Westfall and Nola Zirin
Primarily Black and White; Gallery 705, Stoudsburg, PA, curated by Edward Evans

2012
Salon des Réalités Nouvelles; Parc Floral de Paris, Paris France (catalog)
Editions & Multiples; Instituto de Artes Gráficas de Oaxaca Alcalá (IAGO), curated by Matthew Deleget & Emi Winter (catalog)
American Abstract Artists International / 75th Anniversary; ParisCONCRET, Paris, France
Chromophilia; Trestle Gallery, Brooklyn Artists Space, Brooklyn, NY, curated by Mary Negro and Rhia Hurt

2011
Abstraction to the Power of Infinity; The Icebox and Grey Area at Crane Arts, Philadelphia, PA, curated by Janet Kurnatowski
American Abstract Artists / 75th Anniversary; OK Harris Works of Art, New York, NY; curated by Ivan Karp
American Abstract Artists International / 75th Anniversary; Galerie oqbo and Deutscher Künstlerbund, Berlin, Germany

2010
Small Works Invitational; The Painting Center, New York, NY
Paint, Print, Image: Greg Kwiatek, Daniel Hill and Scott Reeds; Melville House Gallery, Brooklyn, NY; curated by Jim Osman
L’astrazione vista da un cosmopolita; The Aragonese Castle of Otranto, Italy
Works on Paper; Big&Small/Casual Gallery, Long Island City, NY
American Abstract Artists International; The Aragonese Castle of Otranto, Italy

2008
AAA: Tribute to Esphyr Slobodkina; The Painting Center, NY, NY

2007
Project Studio Artists, 2006–2007; The Classroom at PS122 Gallery, NY, NY
Continuum: In Celebration of the 70th Anniversary of AAA; St. Peter’s College Art Gallery, O’Toole Library, Jersey City, NJ

2005
Optical Simulations; Yellow Bird Gallery, Newburgh, NY; Curated by Jill Conner

2000
Toward the New; Hillwood Art Museum, Long Island University, C.W. Post Campus, Brookvale, NY
Hunter College Faculty Exhibition; Hunter College Art Galleries, NY, NY

1998
The White Painting; Katarina Rich Perlow Gallery, NY, NY
Small Works VI; Parsons School of Design, NY, NY

1997
Abstraction Index; organized by Vincent Longo and Laura Sue Phillips; Condeso/Lawler Gallery, NY, NY
1 : ONE; curated by Jeanette Cole and Carol Struve; Herter Art Gallery, University of Massachusetts, Amherst, MA

1996
Fourteen Days—A Salon; Room, NY, NY
Systemic Disorder; 55 Mercer Gallery, NY, NY
Small Works V; Parsons School of Design, NY, NY
Hunter College Faculty Exhibition; Hunter College Art Galleries, NY, NY

1994
Mass Exposure; TRIBECA 148 Gallery, NY, NY

1992
Salon—More Than a Group Show; Art in General, NY, NY
The Neurotic Art Show II: The Return of the Repressed; Artists Space, NY, NY

1991
Physicality: An Exhibition on Color Dimensionality in Painting; curated by George Hofmann; Hunter College Art Galleries, NY, NY
The First Decade: A Celebration of the MFA Program; Hunter College Art Galleries, NY, NY

1990
Local Modern; Chandler Gallery, Wellfleet, MA
Geometry on Site; Soho Center for Visual Artists, NY, NY

1989
Collection ‘89; Virginia Lynch Gallery, Tiverton, RI
Artists at Hunter; Voorhees Gallery (Times Square Galleries), NY, NY

1985
Four Artists; Parasol, Sag Harbor, NY

1983
New Artists; Bertha Urdang Gallery, NY, NY
Terminal New York; Brooklyn Army Terminal, Brooklyn, NY

1980
Centennial Exhibition of Sculpture; Providence Art Club, Providence, RI


Traveling Group Exhibition

American Abstract Artists 75th Anniversary Print Portfolio (catalog)

2016
Biggin Gallery; Auburn University; Auburn, Alabama; February 1 – March 4

2015
Suraci Gallery; Marywood University Art Galleries; Scranton, Pennsylvania
Vanderbilt University Fine Arts Gallery; Nashville, Tennessee

2014
Ridderhof Martin Gallery, University of Mary Washington, Fredericksburg, Virginia; October 23 – December 7
Martin Art Gallery, Muhlenberg College, Muhlenberg, Pennsylvania, August 27 – September 27

2013
Sarah Moody Gallery, University of Alabama, Tuscaloosa
Downtown Gallery, University of Tennessee, Knoxville
Brattleboro Museum and Art Center, Brattleboro, Vermont


Selected Collections

Arkansas Arts Center, Little Rock, Arkansas, donation of Sarah-Ann and Werner H. Kramarsky
Art in Embassies Collection, US Department of State
Cleveland Museum of Art, Ohio
Jingdezhen Sanbao Ceramic Institute, Jingdezhen, China
Memorial Sloan-Kettering Cancer Center, N.Y.
Metropolitan Museum of Art, N.Y.
MoMA Library Special Collection, N.Y.
Muhlenberg College Art Collection, Allentown, Pennsylvania
New York Public Library
Parasol Press, Ltd., N.Y.
Phillips Collection, Washington, D.C.
Prudential Insurance Company of America, New Jersey
U.S. Embassy, Beijing, China, Art in Embassies, US Department of State; on permanent exhibit
Whitney Museum of American Art, The Frances Mulhall Achilles Library, Archives, and Special Collections, N.Y.
Yale University Art Gallery, New Haven, Connecticut


Publications

75th Anniversary: American Abstract Artists Print Portfolio; catalog published on the occasion of the 2013 exhibition at the UT Downtown Gallery, Knoxville, Tenn.; The Ewing Gallery of Art and Architecture, The University of Tennessee, Knoxville; introductory essay by Robert Storr and project director’s statement by Daniel G. Hill; 2013
Les Cahiers du RN, the blog of le Salon des Réalités Nouvelles; June 12, 2012; Dan Hill, peintre; interview given to Comité member Erik Levesque.
American Abstract Artists 75th Anniversary Print Portfolio; introductory essay by Robert Storr, project director’s statement by Daniel G. Hill; published by American Abstract Artists, 2012
The New Criterion, May 2011, Volume 28, Number 9, online edition; Gallery Chronicle by James Panero; photograph accompanying review of In the Use of Others for the Change: A Program of New Ballets by Julia K. Gleich” at the Center for Performance Research, Brooklyn, NY
Print, self-published, New York, 2010; catalog accompanying the exhibition of the same name at Melville House Gallery, Brooklyn, NY, May 3 – June 25, 2010


Bibliography

Marquis Who’s Who, Publisher, Who’s Who in American Art
Clements, Alexis; Muddying the Circumscribed Myth of Abstraction; review of Endless, Entire at FiveMyles; Hyperallergic.com; December 11, 2015
Corio, Paul; To Leo, a Tribute – Sideshow Gallery; On•Verge; September 17, 2014 http://www.on-verge.org/features/to-leo-a-tribute-sideshow-galley/; exhibition review
Eshoo, Amy, editor; 560 Broadway: A New York Drawing Collection at Work, 1991–2006; Yale University Press, New Haven and London; 2008
Geis, Shannon; Thirty Years After Famed Show, Art Carries On At Brooklyn Army Terminal, Turnstile Tours; October 10, 2013
Gwirtzman, Lisa; Art New England; review of exhibition at the Koussevitzky Gallery; February, 1989
Hofmann, George; Physicality: An Exhibition on Color Dimensionality in Painting; exhibition catalogue; 1991
Keane, Dan; Living History; NY Arts Magazine; November/December 2005, Vol. 10, No.11/12; review of exhibition at the Yellow Bird Gallery
Long, Robert; East Hampton Star; review of exhibition at Parasol; August 8, 1985
Pozzi, Lucio; A Thousand Rivers; exhibition brochure for American Abstract Artists International; 2010
Price, Dr. Joan Webster; Toward the New: American Abstract Artists; catalogue of exhibition, Hillwood Art Museum, 2000
Reid, Calvin; MANUAL: Art in General 1992 and 1993; catalogue of exhibitions; 1993
Stretch, Bonnie Barrett; Dynamic Invention:The 75th Anniversary of American Abstract Artists, Art New England; Sept./Oct. 2013
Wurmfeld, Sanford; The First Decade of the MFA Program 1981-1991; exhibition catalogue; 1991


Curatorial & Directorial Projects

2017
Co-Curator with Mary Schiliro, Objectify; Trestle Gallery, New York, N.Y.; Sept. 22 – Nov. 3
Co-Curator with Bogumila Strojna, Intercontinental Line; Abstract Project, Paris, France; May 10–20

2012
Project Director, American Abstract Artists 75th Anniversary Print Portfolio
Curator, Raisonnement circulaire (Circular Reasoning), ParisCONCRET, Paris, France,
June 16 – July 7, 2012;


Fellowships & Awards

2006
Project Studio Recipient, Painting Space 122, NY, NY

1996
Project Studio Recipient, Painting Space 122, NY, NY

1993
National Endowment for the Arts Fellowship in Painting

1990
Artist Grant, Artists Space, NY, NY, in support of 1990 exhibition at Soho Center for Visual Artists

1986
Batchelor (Ford) Summer Faculty Fellowship, College of the Holy Cross, Worcester, MA

1983
William Graf Travel Scholarship, Hunter College, City University of New York, NY, NY


Recent Public Lectures

2016
Daniel G. Hill; visiting artist’s talk and workshop on digital color management and digital printmaking; Art Department, Auburn University, Auburn, Alabama, February 15, 2016

2013
Daniel G. Hill; visiting artist’s talk and lecture on digital printmaking; Art and Architecture Department, University of Tennessee, Knoxville; November 1, 2013

2010
Public interview with Matthew Deleget and Jim Osman on the occasion of the exhibition, Print, Melville House Gallery, Brooklyn, NY, June 9, 2010

2009
Digital Technology and the Graphic Arts, Berkshire Community College, Pittsfield, MA, November 12, 2009 Digital Technology in Foundation Studies: if, how and why; College Art Association 97th Annual Conference, Los Angeles, CA, February 28, 2009

2005
Foundation Wireless Studio Program—Parsons School of Design, Technology Leadership Institute for Colleges of Art and Design, Maryland Institute College of Art, February 17, 2005


Organizational Affiliations

American Abstract Artists, President since 2013, member since 1997
College Art Association, member since 1997


Teaching Positions

2005-present
Assistant Professor of Fine Arts, Parsons The New School for Design, New York, NY

2001-2005
Full-Time Faculty Member, Parsons The New School for Design

1995-2001
Part-Time Faculty Member, Parsons School of Design

1990
Lecturer in the Visual Arts, Princeton University, Princeton, NJ

1987–2001
Adjunct Assistant Professor, Hunter College, City University of New York, NY

1985–1987
Assistant Professor of Art, College of the Holy Cross, Worcester, MA


Education

MFA, Hunter College, City University of New York, New York, NY
AB, Magna cum Laude, Brown University, Providence, RI