CV
Solo Exhibitions
Group Exhibitions
Traveling Group Exhibition
Selected Collections
Publications
Bibliography
Curatorial & Directorial Projects
Fellowships & Awards
Recent Public Lectures
Organizational Affiliations
Teaching Positions
Education
Solo Exhibitions
2019
Rope, Rod, Rag; Abstract Project, Paris, France; 20–30 March (catalog with essay by Karen Wilkin)
2017
Connections and Correspondences; Mary Ed Mecoy Hall Gallery, Murray State University, Murray, Kentucky
2010
From Paint to Print; The Painting Center, New York, N.Y.
Print; Melville House, Brooklyn, N.Y. (catalog)
2009
Digital Painting; Koussevitzky Gallery, Berkshire Community College, Pittsfield, Mass.
2004
Into the Light; Square One Gallery, New York, N.Y.
1997
Paintings and Collages; Wilmer Jennings Gallery at Kenkeleba, New York, N.Y.
1988
Daniel G. Hill; Koussevitzky Gallery, Berkshire Community College, Pittsfield, Mass.
Selected Group Exhibitions
2024
Hellweg Konkret III | 3D. Pioneering Sculpture of the Concrete Present; Museum Wilhelm Morgner: RAUM SCHROTH; Soest, Germany; curated by Ivo Ringe and Juliane Rogge; 8 September–1 December
ZEIGT EUCH KONKRET!—National and international concrete art; Kunstverein Wiligrad, Lübstorf, Germany; 13 July–1 September
Beyond the Surface: Constructing Destruction; Westbeth Gallery, New York, NY; curated by Vida Geranmayeh; Gail Biederman, Lily de Bont, Daniel G. Hill, Kathleen Kucka, Steven Millar, Gelah Penn, David Rhodes, Mary Schiliro, Howard Schwartzberg, Jan Maarten Voskuil; 5–25 January
2023
Red to Pink; Salón Silicón; Mexico City, Mexico; curated by John R. Thompson
CENTURY. idea bauhaus— a drj art project with 100+6 international positions; Museum Wilhelm Morgner, Cabinet, Soest Germany; from the Schroth collection, Stiftung Konzeptuelle Kunst
KULTUR.KONTAKT.KONKRET—Works from the Schroth Collection; Palais Dubniczay, Művészetek Háza Veszprém, Hungary
On Balance: New Work by American Abstract Artists; Art Cake, Brooklyn, NY, curated by Mary Birmingham; catalog
2022
Harmony and Contrast—Chromatic Painting at the Turn of the Century; Transmitter, Brooklyn, NY; Siri Berg, Gabriele Evertz, Daniel G. Hill, and Vincent Longo; curated by Jacob Cartwright and Rob de Oude; essay by Jacob Cartwright; May 14 – June 19
2021
Parallel Play, John Molloy Gallery, New York, NY; September 25 – October 23;
Jacob Cartwright, Daniel G. Hill, Mary Schiliro, Patricia Zarate
COVIMETRY; Ely Center of Contemporary Art, New Haven, Conn.; curated by Mark Starl (aka prof. Wieslaw Luczaj), Jan Kochanowski University, Institute of Visual Arts, Kielce, Poland and organized by Suzan Shutan
Pause: the Drawing Collective; KONSTRUCTIV.IST; Istanbul, Turkey
2020
Inaugural Exhibition; KONSTRUCTIV.IST, Istanbul, Turkey; curated by Erdem Küçükköroglu
Uncharted: American Abstraction in the Information Age; Hofstra University Museum of Art, Hempstead, NY; January 28 – June 19; curated by Karen Albert
2019
#01–Biennale of Reductive and Non-Objective Art–Sidney; curated by Dr. Billy Gruner; Stores Building, Parramatta, NSW, Australia; Oct. 19 – Dec. 22
CENTRUY. idee bauhaus; POSITIONS Berlin Art Fair; September 12–15
5ème biennale internationale d’art non objectif,
Forward as before… En avant comme avant… ; la ville de Pont de Claix
, Rhone-Alpes, France,
14 September – 16 November
; curated by Roland Orépük
Be Absolutely Concrete—Welten zeichnen—Grenzen des Konkreten; hase29—Gesellschaft für zeitgenössische Kunst Osnabrück e.V., Osnabrück, Germany, 21 June – 2 August
CENTURY. idee bauhaus; dr. julius | ap, Berlin, Germany, 28 April – 30 June
Falling into Place ODETTA, Brooklyn, New York, 1–24 February
Drawing Now; Institute of Contemporary Art at MECA, Portland, Maine, 17 January – 8 March
NY Abstract Now; Mathilde Hatzenberger Gallery, Brussels, Belgium, 10 January – 9 February
2018
Dessin en volume pour Agathe; LOOK&LISTEN à la Voute; Saint-Chamas, France; curated by Yifat Gat
Grounds for Optimism; Tremenheere Sculpture Gardens, Penzance, Cornwall, UK; curated by Ivo Ringe
Clash Of The Titans; 108AG projects, Colonia Juárez, Mexico City; February 6–10; curated by John R. Thompson
Surface & Substance; The Painting Center, New York, N.Y.; curated by Hester Simpson
2017
Objectify; Trestle Gallery, New York, N.Y.; curated by Mary Schiliro & Daniel G. Hill
Raakvlakken—100 years after De Stijl; The Achmea Gebouw, Leiden, NL; curated by IS Projects—Iemke van Dijk & Guido Winkler
Intercontinental Line; Abstract Project, Paris, France; curated by Bogumila Strojna & Daniel G. Hill
CARREMENT 4; Espace Christiane Peugeot, Paris, France
The Drawing Collective, Sydney 2017; Articulate Project Space, Leichhardt, NSW, Australia
The Drawing Collective, Paris 2017; Galerie Olivier Nouvellet, Paris, France
Salon Zürcher, NY; exhibiting with RCM Galerie, Paris
Personal Identity Matter—International Group Exhibition; Gallery MC, New York, N.Y.
2016
Lightly Structured; Sculpture Space New York City; curated by Patricia Zarate
The Pattern Reveals Itself; Claudia Weil Galerie; Friedberg-Rinnenthal, Germany, curated by Ivo Ringe
Werner Drewes and 80 years of the American Abstract Artists; Washington Printmakers Gallery, Washington, D.C.; curated by Ron Meike
Exhibiting artists: Werner Drewes, Emily Berger, James Gross, Daniel G. Hill, Creighton Michael, Kim Uchiyama, Vera Vasek and Thornton Willis
10 Ways; RCM Galerie, Paris, France; curated by Lorenza Sannai
Exhibiting artists: Daniel G. Hill, Don Voisine, John Goodyear, Joanne Mattera, James Juszczyk, Lynne Harlow, Lorenza Sannai, Power Boothe, Stephen Westfall, Susan Smith
Chromatic Space; Shirley Fiterman Art Center, New York, NY; curated by Jonathan Lippincott
The Black and White Project; Transmitter Gallery, Brooklyn, NY; curated by Yifat Gat
10 Ways; dr. julius | ap; Berlin, Germany; curated by Lorenza Sannai
Daniel G. Hill, Jocelyne Santos, Shawn Stipling, Bogumila Strojna; Galerie Victor Sfez; Paris, France; curated by Laura Nillni; March 17 – May 5
Passing Through; Schema Projects, Brooklyn, N.Y.; curated by Jeanne Heifetz; March 4 – April 3
Visible Histories; Brian Morris Gallery and the Abrons Arts Center, New York, N.Y.; curated by Max Weintraub; January 30 – March 6
The Onward of Art: American Abstract Artists 80th Anniversary Exhibition; 1285 Avenue of the Americas Gallery, N.Y., N.Y.; curated by Karen Wilkin; January 18 – March 25
2015
Endless, Entire; FiveMyles, Brooklyn, N.Y.; curated by Rachel Nackman
10 Ways; Clement & Schneider; Bonn, Germany; curated by Lorenza Sannai
Summer Show Rules; Gallery Onetwentyeight; New York, N.Y.; curated by Kazuko Miyamoto
10 Ways; Derbylius Libreria Galleria D’Arte, Milan, Italy; curated by Lorenza Sannai
All | Together | Different; Manny Cantor Center, New York, N.Y.; curated by Linda Griggs
Sideshow Nation III: Circle the Wagons!; Sideshow Gallery, Brooklyn, N.Y.
2014
21 & Counting; The Painting Center, New York, NY
International Black and White; Gallery 705, Stoudsburg, PA, curated by Edward Evans
To Leo: a tribute from the American Abstract Artists; Sideshow Gallery, Brooklyn, NY
Sensory Impact; Morgan Stanley Global Headquarters, Purchase, NY, curated by Sarah Campbell
Primarily Black and White; Southwest Minnesota State University Art Museum, curated by Edward Evans
2013
Come Together: Surviving Sandy, Year 1; Industry City, Brooklyn, NY; curated by Phong Bui; sponsored by the Dedalus Foundation, the Brooklyn Rail, and the Jamestown Charitable Foundation
American Abstract Artists • A Selection; Kent State University School of Art Gallery, Kent, OH, curated by Scott Olson and Gianna Commito Exhibiting artists: Susan Bonfils, Marvin Brown, Gail Gregg, Daniel G. Hill, Gilbert Hsiao, James Jusczcyk, Cecily Kahn, Marthe Keller, Irene Lawrence, David Mackenzie, Manfred Mohr, Judith Murray, Raquel Rabinovich, David Reed, Edward Shalala, Vera Vasek, Merrill Wagner, Stephen Westfall and Nola Zirin
Primarily Black and White; Gallery 705, Stoudsburg, PA, curated by Edward Evans
2012
Salon des Réalités Nouvelles; Parc Floral de Paris, Paris France (catalog)
Editions & Multiples; Instituto de Artes Gráficas de Oaxaca Alcalá (IAGO), curated by Matthew Deleget & Emi Winter (catalog)
American Abstract Artists International / 75th Anniversary; ParisCONCRET, Paris, France
Chromophilia; Trestle Gallery, Brooklyn Artists Space, Brooklyn, NY, curated by Mary Negro and Rhia Hurt
2011
Abstraction to the Power of Infinity; The Icebox and Grey Area at Crane Arts, Philadelphia, PA, curated by Janet Kurnatowski
American Abstract Artists / 75th Anniversary; OK Harris Works of Art, New York, NY; curated by Ivan Karp
American Abstract Artists International / 75th Anniversary; Galerie oqbo and Deutscher Künstlerbund, Berlin, Germany
2010
Small Works Invitational; The Painting Center, New York, NY
Paint, Print, Image: Greg Kwiatek, Daniel Hill and Scott Reeds; Melville House Gallery, Brooklyn, NY; curated by Jim Osman
L’astrazione vista da un cosmopolita: American Abstract Artists International; The Aragonese Castle of Otranto, Italy
Works on Paper; Big&Small/Casual Gallery, Long Island City, NY
2008
AAA: Tribute to Esphyr Slobodkina; The Painting Center, NY, NY
2007
Project Studio Artists, 2006–2007; The Classroom at PS122 Gallery, NY, NY
Continuum: In Celebration of the 70th Anniversary of AAA; St. Peter’s College Art Gallery, O’Toole Library, Jersey City, NJ
2005
Optical Simulations; Yellow Bird Gallery, Newburgh, NY; Curated by Jill Conner
2000
Toward the New; Hillwood Art Museum, Long Island University, C.W. Post Campus, Brookvale, NY
Hunter College Faculty Exhibition; Hunter College Art Galleries, NY, NY
1998
The White Painting; Katarina Rich Perlow Gallery, NY, NY
Small Works VI; Parsons School of Design, NY, NY
1997
Abstraction Index; organized by Vincent Longo and Laura Sue Phillips; Condeso/Lawler Gallery, NY, NY
1 : ONE; curated by Jeanette Cole and Carol Struve; Herter Art Gallery, University of Massachusetts, Amherst, MA
1996
Fourteen Days—A Salon; Room, NY, NY
Systemic Disorder; 55 Mercer Gallery, NY, NY
Small Works V; Parsons School of Design, NY, NY
Hunter College Faculty Exhibition; Hunter College Art Galleries, NY, NY
1994
Mass Exposure; TRIBECA 148 Gallery, NY, NY
1992
Salon—More Than a Group Show; Art in General, NY, NY
The Neurotic Art Show II: The Return of the Repressed; Artists Space, NY, NY
1991
Physicality: An Exhibition on Color Dimensionality in Painting; curated by George Hofmann; Hunter College Art Galleries, NY, NY
The First Decade: A Celebration of the MFA Program; Hunter College Art Galleries, NY, NY
1990
Local Modern; Chandler Gallery, Wellfleet, MA
Geometry on Site; Soho Center for Visual Artists, NY, NY
1989
Collection ‘89; Virginia Lynch Gallery, Tiverton, RI
Artists at Hunter; Voorhees Gallery (Times Square Galleries), NY, NY
1985
Four Artists; Parasol, Sag Harbor, NY
1983
New Artists; Bertha Urdang Gallery, NY, NY
Terminal New York; Brooklyn Army Terminal, Brooklyn, NY
1980
Centennial Exhibition of Sculpture; Providence Art Club, Providence, RI
Traveling Group Exhibition
American Abstract Artists 75th Anniversary Print Portfolio (catalog)
2021
Herron School of Art + Architecture; January 13 – February 25
2020
Transmitter Gallery, Brooklyn, NY; January 3 – February 6
Gallery at The Visual and Performing Arts Center, Western CT State University; Oct. 15 – Dec. 6
2017
Art Gallery; University of Houston—Clear Lake, Houston, Texas; August 31 – October 20
Wrather West Kentucky Museum; Murray State University; Murray, Kentucky; January 17 – February 24
2016
Biggin Gallery; Auburn University; Auburn, Alabama; February 1 – March 4
2015
Suraci Gallery; Marywood University Art Galleries; Scranton, Pennsylvania
Vanderbilt University Fine Arts Gallery; Nashville, Tennessee
2014
Ridderhof Martin Gallery, University of Mary Washington, Fredericksburg, Virginia; October 23 – December 7
Martin Art Gallery, Muhlenberg College, Muhlenberg, Pennsylvania, August 27 – September 27
2013
Sarah Moody Gallery, University of Alabama, Tuscaloosa
Downtown Gallery, University of Tennessee, Knoxville
Brattleboro Museum and Art Center, Brattleboro, Vermont
Selected Collections
Arkansas Arts Center, Little Rock, Arkansas, donation of Sarah-Ann and Werner H. Kramarsky
Art in Embassies Collection, US Department of State
Cleveland Museum of Art, Ohio
Jingdezhen Sanbao Ceramic Institute, Jingdezhen, China
Memorial Sloan-Kettering Cancer Center, N.Y.
Metropolitan Museum of Art, N.Y.
MoMA Library Special Collection, N.Y.
Muhlenberg College Art Collection, Allentown, Pennsylvania
New York Public Library
Parasol Press, Ltd., N.Y.
Phillips Collection, Washington, D.C.
Prudential Insurance Company of America, New Jersey
Stichting EST art foundation, Leiden, the Netherlands
Stiftung Konzeptuelle Kunst, Soest, Germany
U.S. Embassy, Beijing, China, Art in Embassies, US Department of State; on permanent exhibit
Whitney Museum of American Art, The Frances Mulhall Achilles Library, Archives, and Special Collections, N.Y.
Yale University Art Gallery, New Haven, Connecticut
Publications
Past/Present: American Abstract Artist Members Honor Their Predecessors; contributed essay on Nikolai Kasak; American Abstract Artists; 2023
Bogumila Strojna; catalog essay Strojna exhibition at Galerie Victor Sfez, Paris, France, 17 June – 28 July, 2018
Objectify; catalog essay co-authored with Mary Schiliro for exhibition at Trestle Gallery, Brooklyn, NY, 22 September – 4 November, 2017
Intercontinental Line 2, reflection in progress; catalog essay co-authored with Bogumila Strojna for exhibition at Abstract Project, Paris, France, 12–21 April, 2017
Margins of Tolerance; catalog essay for Richard van der Aa exhibition at Le Pavé D’Orsay, Paris, France, January 5–17, 2017
75th Anniversary: American Abstract Artists Print Portfolio; catalog published on the occasion of the 2013 exhibition at the UT Downtown Gallery, Knoxville, Tenn.; The Ewing Gallery of Art and Architecture, The University of Tennessee, Knoxville; introductory essay by Robert Storr and project director’s statement by Daniel G. Hill; 2013
Les Cahiers du RN, the blog of le Salon des Réalités Nouvelles; June 12, 2012; Dan Hill, peintre; interview given to Comité member Erik Levesque.
American Abstract Artists 75th Anniversary Print Portfolio; introductory essay by Robert Storr, project director’s statement by Daniel G. Hill; published by American Abstract Artists, 2012
The New Criterion, May 2011, Volume 28, Number 9, online edition; Gallery Chronicle by James Panero; photograph accompanying review of In the Use of Others for the Change: A Program of New Ballets by Julia K. Gleich” at the Center for Performance Research, Brooklyn, NY, May 2011
Print; self-published, New York, 2010; catalog accompanying the exhibition of the same name at Melville House Gallery, Brooklyn, NY, May 3 – June 25, 2010
Bibliography
Marquis Who’s Who, Publisher, Who’s Who in American Art
Alexandre,Delphine; Carrément 4, l’elementaire est le divers… ; Art Absolument; Numéro 76 Mars/Avril 2017
Batteiger, Debbie; Artist presents work to community, with an original made for the occasion; Murray Ledger & Times; February 8, 2017; https://www.murrayledger.com/news/artist-presents-work-to-community-with-an-original-made-for/article_1565e968-ed9e-11e6-bef0-93512bc4bcd7.html; exhibition review
Christoph, Sara; Flam, Jack, editor; The Beauty of Friends Coming Together; essay included in Come Together: Surviving Sandy, Year 1; Skira Editore S.p.A., Milan, Italy; 2014
Clements, Alexis; Muddying the Circumscribed Myth of Abstraction; review of Endless, Entire at FiveMyles; Hyperallergic.com; December 11, 2015
Corio, Paul; To Leo, a Tribute – Sideshow Gallery; On•Verge; September 17, 2014; exhibition review
Eshoo, Amy, editor; 560 Broadway: A New York Drawing Collection at Work, 1991–2006; Yale University Press, New Haven and London; 2008
Geis, Shannon; Thirty Years After Famed Show, Art Carries On At Brooklyn Army Terminal; Turnstile Tours; October 10, 2013
Gwirtzman, Lisa; Art New England; review of exhibition at the Koussevitzky Gallery; February, 1989
Hofmann, George; Physicality: An Exhibition on Color Dimensionality in Painting; exhibition catalogue; 1991
Keane, Dan; Living History; NY Arts Magazine; November/December 2005, Vol. 10, No.11/12; review of exhibition at the Yellow Bird Gallery
Long, Robert; East Hampton Star; review of exhibition at Parasol; August 8, 1985
Pozzi, Lucio; A Thousand Rivers; exhibition brochure for American Abstract Artists International; 2010
Price, Dr. Joan Webster; Toward the New: American Abstract Artists; catalogue of exhibition, Hillwood Art Museum, 2000
Reid, Calvin; MANUAL: Art in General 1992 and 1993; catalogue of exhibitions; 1993
Stretch, Bonnie Barrett; Dynamic Invention:The 75th Anniversary of American Abstract Artists; Art New England; Sept./Oct. 2013
Wilkin, Karen; Daniel G. Hill: Recent Work; exhibition catalogue; 2019
Wurmfeld, Sanford; The First Decade of the MFA Program 1981-1991; exhibition catalogue; 1991
Curatorial & Directorial Projects
2024
Curatorial Consultant to Vida Geranmayeh, Beyond the Surface: Constructing Destruction; Westbeth Gallery, New York, NY, January 5–25
2021
Co-curator with Mary Schiliro, Parallel Play, John Molloy Gallery, New York, NY, Sept. 25–Oct. 23
2019
Curatorial and Editorial Consultant to Bogumila Strojna; Form and Intent; Abstract Project, Paris, France; Oct. 24 – Nov. 2
2017
Co-Curator with Mary Schiliro, Objectify; Trestle Gallery, New York, N.Y.; Sept. 22 – Nov. 3
Co-Curator with Bogumila Strojna, Intercontinental Line; Abstract Project, Paris, France; May 10–20
2012
Project Director, American Abstract Artists 75th Anniversary Print Portfolio
Curator, Raisonnement circulaire (Circular Reasoning), ParisCONCRET, Paris, France, June 16 – July 7
Fellowships & Awards
2024
Artist-in-Residence, EST Foundation, Leiden, NL
Project Studio Recipient, Painting Space 122, NY, NY
2006
Project Studio Recipient, Painting Space 122, NY, NY
1996
Project Studio Recipient, Painting Space 122, NY, NY
1993
National Endowment for the Arts Fellowship in Painting
1990
Artist Grant, Artists Space, NY, NY, in support of 1990 exhibition at Soho Center for Visual Artists
1986
Batchelor (Ford) Summer Faculty Fellowship, College of the Holy Cross, Worcester, MA
1983
William Graf Travel Scholarship, Hunter College, City University of New York, NY, NY
Public Lectures and Panels
2021
Covimetry Virtual Panel Discussion; Ely Center of Contemporary Art, New Haven, Conn. May 13; moderator: Suzan Shutan, panelists: Steven Baris, Judith Duquemin, Daniel G. Hill, Gerhard Hotter, curator: Mark Starel
2017
Daniel G. Hill; Visiting Artist; University of Houston—Clear Lake, Houston, Texas; October 2
Connections and Correspondences; visiting artist’s talk about my own work on exhibit in the Mary Ed Mecoy Hall Gallery and the traveling exhibit of the AAA 75th Anniversary Print Portfolio on exhibit at the Rather Museum, Murray State University, Murray, Kentucky, February 7
2016
Daniel G. Hill; visiting artist’s talk and workshop on digital color management and digital printmaking; Art Department, Auburn University, Auburn, Alabama, February 15, 2016
2013
Daniel G. Hill; visiting artist’s talk and lecture on digital printmaking; Art and Architecture Department, University of Tennessee, Knoxville; November 1, 2013
2010
Public interview with Matthew Deleget and Jim Osman on the occasion of the exhibition, Print, Melville House Gallery, Brooklyn, NY, June 9, 2010
2009
Digital Technology and the Graphic Arts, Berkshire Community College, Pittsfield, MA, November 12, 2009
Digital Technology in Foundation Studies: if, how and why; College Art Association 97th Annual Conference, Los Angeles, CA, February 28, 2009
2005
Foundation Wireless Studio Program—Parsons School of Design, Technology Leadership Institute for Colleges of Art and Design, Maryland Institute College of Art, February 17, 2005
Organizational Affiliations
American Abstract Artists, President Emeritus (President 2013–2018), member since 1997
College Art Association, member since 1997
Teaching Positions
2021–2024
Part-time Lecturer, Parsons School of Design, New York, NY
2005-2021
Assistant Professor of Fine Arts, Parsons School of Design, New York, NY
2001-2005
Full-Time Faculty Member, Parsons School of Design, New York, NY
1995-2001
Part-Time Faculty Member, Parsons School of Design, New York, NY
1990
Lecturer in the Visual Arts, Princeton University, Princeton, NJ
1987–2001
Adjunct Assistant Professor, Hunter College, City University of New York, NY
1985–1987
Assistant Professor of Art, College of the Holy Cross, Worcester, MA
Education
MFA, Hunter College, City University of New York, New York, NY
AB, Magna cum Laude, Brown University, Providence, RI